Avi1111 dr. avishai teicher
Jewish Museum Berlin (Libeskind Building)
- Design firm
- Studio Daniel Libeskind
- Typology
- Museum
- Years
- 1989–1999
- Status
- Complete
Facade facts
- Facade summary
- A continuous, zig-zagging skin of titanium-zinc sheets punctuated by sharp,expressive, diagonal window slashes that slice across the building's geometry.
- Documented intention
- Daniel Libeskind's facade concept,named 'Between the Lines', mapped the addresses of prominent Jewish and non-Jewish historical figures in Berlin (such as Walter Benjamin and Paul Celan). By plotting these points and drawing lines between them, Libeskind generated a complex graphic matrix that was projected onto the building's exterior envelope as the physical layout of the window slits.
- Street relationship
- The facade stands in dramatic juxtaposition to the neighboring baroque Kollegienhaus. It offers no traditional street-level windows,entrances,or storefronts, appearing as an impenetrable zinc monument when viewed from Lindenstraße, with access only possible via an underground passage from the old building.
- Climate relationship
- The low ratio of window openings to solid walls helps control solar heat gain, which is highly beneficial for museum climate control, protecting light-sensitive historical artifacts inside.
- Window pattern
- Completely irregular, based on a projected cartographic matrix of historical addresses.
- Depth
- Flat metallic surface with recessed structural cuts
- Titanium-zinc (Rheinzink)
- Titanium-zinc (Rheinzink) — Entire external cladding envelope — Pre-patinated matte finish (designed to self-weather over time)
- Reinforced concrete
- Reinforced concrete — Substructure and structural core — Smooth formwork finish on the interior,structural backing on the exterior
- Glass
- Glass — Slashed window openings — Reflective /clear
- Aluminum / Steel
- Aluminum/Steel — Window frames — Powder-coated
- Rainscreen Cladding System
- Double-locked standing seam titanium-zinc rainscreen panels mounted onto a supportive sub-construction with a ventilated air cavity.
- Load-Bearing Cast-in-Place Concrete Wall System
- The heavy concrete walls act as both structural support and physical thermal mass, with external insulation applied prior to the rainscreen system.
- Bespoke Structural Slit Glazing
- Custom irregular frames embedded directly within the structural concrete cuts, thermal-broken profiles detailed to interface flush with the exterior zinc facade skin.
Tags
- 1991–2000
- A continuous
- Aluminum
- Berlin
- Bespoke window frame profile mounting
- Cast-in-place concrete structure
- Cfb (Marine West Coast Climate
- Completely irregular
- Contemporary
- Daniel Libeskind
- Daniel Libeskind's facade concept
- Deconstructivism
- Double-glazed insulated units
- Exhibition
- Exhibition galleries
- Germany
- Glass
- Museum
- Non-repeating
- Oceanic)
- Pre-patinated metal
- Rainscreen system
- Standing seam cladding
- Steel — Window frames — Powder-coated
- Structural Glazing
- Studio Daniel Libeskind
- Titanium-zinc
- Titanium-zinc (Rheinzink)
- Ventilated facade
- and public plazas.
- chaotic
- clear
- deconstructivist rhythm
- entrances
- expressive
- garden of exile
- memorial voids
- named 'Between the Lines'
- or storefronts
- reinforced concrete
- steel
- structural backing on the exterior
- underground connection axes
Description
The facade of the Libeskind Building is wrapped completely in a rainscreen system of pre-patinated titanium-zinc standing seam panels. The non-orthogonal panels are organized horizontally and wrap around the dramatic, sharp-angled concrete structure. The exterior surface is famously disrupted by irregular, linear slashes of windows that cross the facade at unpredictable angles, defying traditional horizontal floor-to-floor alignment. These window slits are structurally integrated into the concrete walls, utilizing dark-finished aluminum framing that sits flush with or slightly recessed behind the zinc cladding surface.
Visual analysis
Visually, the facade acts as a scarred or wounded body, where the metallic zinc skin represents a protective yet vulnerable container, and the window slashes resemble precise cuts that let light penetrate the interior in controlled, dramatic beams.
Gallery
Sources
- Jewish Museum Berlin · Studio Libeskind
- Daniel Libeskind: Radix - Matrix: Architecture and Writings · Daniel Libeskind
- Rheinzink Architecture Reference: Jewish Museum Berlin · Rheinzink